For a relatively small dose of my more academic writing, check out my guest post over at Material World. Lots of great articles and announcements for material culture folks, and a really interesting short entry on attempts to care for and return photos and other items lost with the 3/11 tsunami.
Yesterday I walked the Long Beach shore in the late afternoon sun. As usual, I was on the lookout for plastic, but I also had a more specific mission: I was hunting for nurdles. But what, you ask, is a nurdle? Nurdle is the nickname given to pre-production plastic pellets. Not to be confused with crumbled bits of Styrofoam, these little beads-without-holes are what plastic looks like before it’s molded into more familiar objects. They are far more difficult to pick up than to find, once you know what they are and where to look in the sand (you can see at least eight in the blog banner image too). Freshly produced nurdles are smooth and bright, but over time the pellets get worn by sun and waves, and tinted by the synthetic toxins that stick to their oily surface (think all those nice things like BPA, PCBs and DDT that we’ve been flushing out to sea for decades). The more yellowed or browned, the longer they’ve been at sea and the more chemicals they’ve amassed.
As I walk the beach, I fill a grocery bag with more visible trash, collecting the expected remains of styrofoam cups, bottle caps, and straws. But the handful of nurdles I patiently picked from the tide line are especially important because they represent a whole class of plastic that slips right past solutions grounded in consumer recycling: nurdles are waste before they are consumer goods. Shipped by giant container loads from refineries that ‘crack’ them from gas or oil at high temperatures, to factories that melt and shape them into more recognizable objects, round pellets slip through cracks and roll right into storm drains and waterways. Despite some local improvements, nurdles continue to flow down LA’s rivers and out to sea.
Long Beach is a particularly good place to think about plastic’s industrial ties. The small islands just offshore are oil-drilling platforms in disguise. Designed in the 1960s by the theme park architects responsible for Disney’s Tomorrowland, they are decorated with palm tress and artificial waterfalls, drills hidden in condo-like structures with blue ‘balconies’ (hint: the towers move!). I am still convinced that they are mad-scientist laboratories. The port is just beyond the islands, massive container ships on the horizon shuttling consumer goods and plastic waste back and forth between North America and Asia.
As the sun begins to set over the oil rigs and port cranes, I pluck a green plastic army man from the sand, adding the military to the web of primary resource extraction, shipping and consumption on display in front of me. With synthetic materials heavily developed during WWII, chemical companies looking for postwar markets helped establish plastic’s current ubiquity (not to mention the place of oil in ongoing conflicts). While he takes aim at the sea, the tiny figure gives no clue as to where he was molded, and I wonder how many times the plastic materials have crossed the Pacific.
Beached nurdles are by no means unique to Southern California. My well-traveled friends over at 5 Gyres report that they have yet to find a beach anywhere in the world without at least a few nurdles to be found. Most recently a huge container spill near Hong Kong left shores buried in plastic. As volunteers scrambled, to pick, shovel and even vacuum tons of nurdles from the shore, whole farms of fish unable to distinguish the beads from their usual feed pellets perished, floating belly up with stomachs full of plastic.
Next time you are at the beach, any beach, take a look along the tide line where bits of wood and seaweed and other debris congregate. Look for the pieces that are a little too round, a little too buoyant. You will see them. The nurdles are there.
Plastic Culture & Consumption
It’s summer teaching time! A selection of books inspiring my senior seminar (COGN 150) on the role of plastic and plastic things in everyday life. I’m super excited about the class and can’t wait to see my students’ final projects.
The details: Plastic Culture & Consumption Syllabus